Spend a day with Cathy Hart and a team of experts capturing the wilderness outside of Anchorage while learning about nature photography. The workshop will begin and end in Anchorage. The group will then head to Winter Creek Trail in Girdwood to take photographs in the field! Transport both ways will be provided.
The workshop will feature experts Alissa Crandall, a professional photographer specializing in wildlife and nature photography, Carl Johnson, an award-winning nature photographer, and Erica Carroll, Field Representative for the Alaska Regional Office of National Parks Conservation Association (NPCA).
We have decided to cancel our La Jolla photography workshop on Saturday, March 21.
Our primary concern is you and your family’s health.
In the meantime, We are working on creating some motivating content and list of photography activities that you can do from home! We will let you know when we have these available and will post them on Facebook.
Though many things have shut down, it is still important to stay active and go out in nature when safe.
We are very sorry and will work to reschedule after the crisis passes.
We are very proud of Annabel and encourage all of our participants and followers to enter photographs into local and national contests: you never know what the results might be!
Annabel was a participant in our August workshop in New Jersey. The workshop was taught by Ashleigh Scully and Denise Ippolito. It took place at The Raptor Trust, a wild bird rehabilitation center in Morris County, New Jersey. Workshop participants were allowed to learn about these amazing creatures and photograph them outside of their enclosures. This was a rare treat for our participants: it is not often that we get to see these birds at a close distance. These birds can be dangerous and we were lucky to have Raptor Trust staff present to work with the wild birds. The Raptor Trust captured some great photos from all participants.
Annabel is a sophomore in high school. She’s loved photography since 8th grade because she’s “able to find unique things and capture them.” Her mother encouraged her to develop her skills and Annabel eventually invested in a nicer digital camera.
The GWC New Jersey workshop! Photo courtesy of Denise Ippolito and The Raptor Trust.
Annabel uses a digital SLR and zoom lens. Her winning photograph was taken when Raptor Trust handlers took out the Kestrel falcon from its enclosure. The striking aspect of Annabel’s photo is she was able to remove the background through zooming in on the subject while also capturing the falcon’s direct gaze. Capturing an animal’s direct gaze helps the viewer relate to the animal and creates a personal connection — one that can develop into a deep appreciation of nature, even at a young age! Conservation photographers depend on building these relationships between subject and viewer in order to create awareness about conservation.
We got the chance to ask Annabel a few questions after she won big!
What was your favorite moment during the workshop? My favorite moment in the GWC workshop was taking photos of the barred owl. When I used my zoom lens and looked at it, I got really excited because I knew the pictures would come out good. One of them was actually used in a Raptor Trust Facebook post!
Did Denise and Ashleigh teach you anything in particular that helped you improve your photography? Denise and Ashleigh were great teachers; they were nice and they let us work independently yet they were there for us when we needed some advice. Advice they gave me that made my photography more appealing was using the “rule of thirds” guideline in making our compositions.
What did you learn about raptors and conservation at the Raptor Trust? The Raptor Trust is a great place for injured birds of prey. They try to cure them so they can be released back into the wild.
GWC was featured in Sierra Magazine. In an interview with GWC founder Suzi Eszterhas, Sierra Magazine dove deep into why GWC was founded, what we do, and why the work is important for the next generation of female photographers.
As Suzi mentions, the workshops are not just about teaching photography, there are about learning to see and learning to be. She says in the interview “Confidence is huge, particularly with teen girls. We don’t just teach photography. We try to be good role models and strong women. Strong is the new sexy. We’re trying to impart that strength on our girls.”
You can read the full Sierra Magazine interview at SierraClub.org!
SierraMagazine is the storytelling branch of the Sierra Club. It is a “national print and digital magazine publishing award-winning journalism and cutting-edge photography, art, and video dedicated to protecting the natural world.” We are proud to be a part of the magazine!
*Above image of Sea Otter (Enhydra lutris) mother carrying pup on belly, Elkhorn Slough, Monterey Bay, California
Sebastian Kennerknecht’s Sea Otter Photography Workshop in Monterey, CA
Date: December 11th, 2019 Time: 6:45am – 5:00pm Location: Moss Landing, California
THE DEADLINE HAS PASSED. Enter by November 5th! We will announce winners on November 9th! This contest is open to girls 13-18. You will need an email address. **Travel to Monterey, CA, accommodations, and meals are not included.
Details: You can win two spaces in photographer Sebastian Kennerknecht’s Sea Otter Photography Workshop in Monterey, California on December 11th, 2019. One spot will be for you and one is for your adult chaperone to accompany you on this special day. This day-long workshop will include photographing sea otters from land in the morning, a break for lunch, and going out on the Elkhorn Slough in a pontoon boat in the afternoon to take more pictures. You will have a great time improving your skills with Sebastian while learning more about California’s sea otters.
Sebastian Kennerknecht (@pumapix) is one of Girls Who Click’s biggest supporters. He has generously donated these two spaces in his workshop to support Girls Who Click and the next generation of female photographers.
Sebastian Kennerknecht is a wildlife and conservation photographer. He has over fourteen years of experience covering wildlife and environmental issues internationally. He has a particular interest in photographing wildcats. His work has been featured in BBC Wildlife, Smithsonian, The Economist, Science, and Conservation International, among others. He has a degree in Ecology and Evolution from the University of California, Santa Cruz.
Last month in Florida, the amazing Karine Aigner joined forces with local biologist and University of Florida graduate student Alli Smith, for our July photography workshop. They took a group of ten girls out in the breath-taking Corkscrew Swamp, a National Audubon Society sanctuary located in southwest Florida; just North of Naples. Girls Who Click awarded two scholarships for the workshop. These girls were able to use professional cameras provided by Borrowed Lenses.
Karine Aigner starts her workshops discussing composition, light, and focus — but the real work, she says, is “learning to see.” She wants her students to look past their initial gut observation. It’s not just looking at a flower: it’s noticing what is on it, around it, in it; seeing it as a part of the landscape, or, individually, or in terms of the pattern and designs of its shape. The farther the group progressed into Corkscrew Swamp, the more they saw.
Photo credit: Alli Smith, biologist
Corkscrew Swamp Sanctuary occupies approximately 13,000 acres in the heart of the Corkscrew Watershed in Southwest Florida, part of the Western Everglades. It is primarily composed of wetlands. These include the largest remaining virgin bald cypress forest in the world (approximately 700 acres), which is the site of the largest nesting colony of Federally Endangered Wood Storks in the nation. In addition to the Wood Stork, Corkscrew provides important habitat for numerous other Federal and State listed species, including the Florida Panther, American Alligator, Gopher Tortoise, Florida Sandhill Crane, Limpkin, Roseate Spoonbill, Snowy Egret, Tricolored Heron, White Ibis, Big Cypress Fox Squirrel and the Florida Black Bear. Several rare plants are also found here, most notably the Ghost Orchid.
Photo credit: Alli Smith, biologist
The girls not only got to experience the watershed up-close-and-personal by walking the wooden boardwalks through it, but they also got to see the Ghost Orchid, as well as some of the wildlife it’s known for! They spotted alligators and otters, and even survived a short Floridian squall that lent itself to some amazing shots with water droplets. At one point, an over-habituated and over-friendly juvenile ibis approached the group looking for food (see above). Karine and Alli took the opportunity to explain that while it is a fun experience to have a wild animal approach you (and in this case gnaw on your fanny pack) a tame ibis is not a good thing. While it seems fun, the ibis has learned that it’s easy to get food out of humans, but most human food is not nutritionally valuable to the bird. Some parts of Florida have problems with people feeding ibises so much bread that they essentially don’t eat anything else—and they’re in very poor body condition because of it; bread is not nutritious.
You don’t wake up one morning and decide to become a nature photographer. It starts with a passion – often stemming from childhood. And it includes years of practice, failed attempts to make beautiful photographs, and lots of frustration. But with persistence can come triumph, as it did for Suzi Eszterhas, founder of Girls Who Click. In this podcast, hosted by Wilderkids, we learn about Suzi’s journey and what inspired her to start Girls Who Click.
Thanks to the kindness of our donors, Girls Who Click has had an incredible first year. From the start, we had an overwhelmingly positive response from the nature photography and conservation community, which reaffirmed the need for our work and the timeliness of it. We ran workshops this year in California, Texas, Washington, D.C., and Oregon. It takes a lot of work to pull off each workshop. We help our photographer instructors plan the workshop, and then GWC works hard to organize the logistics, secure necessary permissions, promote the workshop to local schools and youth groups in order to recruit girls, distribute application materials to interested students, review the applications, select candidates, and communicate with parents about preparation. This year we have been able to develop a team of talented volunteers, which has helped us adhere to our small budget and keep spending to a minimum.
Workshop in Newport, Oregon with Jaymi Heimbuch
Our girls come from all walks of life, and we are pleased to say that we had many minorities and low income students go through our workshop this year. It means the world to us that these workshops are accessible to all teen girls, regardless of cultural background or economic status.
After receiving a lot of interest from girls living outside the USA, we created a program called Global Photo Challenges. These are simple photo assignments that we post on social media and encourage girls all over the world to share their photos.
Looking back on the year, our greatest achievement is that we have managed to reach so many girls, not only through our workshops, but through our social media outreach, Global Photo Challenges, and the media.
Next year we have plans to increase the number of workshops offered throughout the USA and offer our first international workshops to girls as far away as Germany and Mozambique. We also plan on offering girls the opportunity to apply for and receive a free portfolio review or career advice consultation with professional female photographers over video Skype.
September was a busy month for Girls Who Click! Workshops that spanned the nation were offered simultaneously, reaching teen girls who have one thing in common – a love for nature photography.
Karen Kasmauski offered a workshop at the Kenilworth Aquatic Park and Gardens in Washington DC. The ladies got a lucky break in the weather and practiced photography skills and met with a National Park Service Ranger.
Karen Kasmauski is a filmmaker, photographer, project manager and educator. During her two decades as a National Geographic photographer, Karen produced 25 major stories for the magazine. Karen is a senior fellow of the International League of Conservation Photographers.
I want to be a photographer and this program encourages girls to learn more in-depth strategies about the art and practice of photography. -Samantha
In Texas, a group of young ladies braved the rain to spend the day with Kathy Adams Clark at the Gulf Coast Bird Observatory. They learned about conservation photography and the unique challenges one faces while photographing migrating hummingbirds.
Kathy is a photographer, naturalist, and teacher. Her goal is to promote photography and the natural world through teaching. When people understand photography they can enjoy it for a lifetime. When people experience the natural world they will work to preserve it for future generations.
…We not only took photos … but also learned about careers in science…This program really helped cement for me that the science field is where I belong. – Kathryn
Photo Credit: Stacy Frank
And on the west coast, a large group of teens spent the day in Moss Landing, California, with wildlife photographer and GWC founder, Suzi Eszterhas. Not only did the girls learn what it’s like to be a female in a male-dominated career, they practiced their skills in a reserve and also from a boat on Elkhorn Slough.
Suzi Eszterhas is best known for her work documenting newborn animals and family life in the wild. Her photographs have been published in over 100 magazine cover and feature stories in publications such as TIME, Smithsonian, BBC Wildlife, GEO, Popular Photography, Ranger Rick, and National Geographic Kids.
Dear Suzi, Thank you for the amazing photography workshop! I had so much fun and learned so much! I will never forget it! – Julia
In October, GWC led a members-only event at the California Academy of Sciences with Suzi Eszterhas. Not only did the girls learn about photography, but they met with staff scientists, got some behind-the-scenes tours of incredible specimens, and got to take a special tour of the living roof.
We are beyond thrilled to announce that Ashleigh Scully has joined Girls Who Click as our spokeswoman. There is nobody better suited for this role of inspiring teens to join the male-dominated field of nature photography! As a teen herself, Ashleigh is passionate about both nature photography and conservation. You would never guess that she is only a high school sophomore – her work is sophisticated and demonstrates a keen eye for composure. She has mastered the art of telling stories through her beautiful photographs, many of which she captures near her home and on her travels. True to the Girls Who Click mission, she not only composes beautiful images, but she uses her work to educate others about conservation topics and wildlife preservation.
Ashleigh’s honors include the 2017 Nature’s Best Windland Smith Rice Youth Photographer of the Year and the 11-14 year old winner in London’s prestigious Wildlife Photographer of the Year competition. She has been published in National Geographic Kids, Shutterbug, Outdoor Photographer and Amateur Photographer magazines. In 2017, Ashleigh was chosen by Adobe as one of the top young photographers in the world and selected for their “Adobe Rising Stars” campaign. In 2015, Ashleigh was one of five talented teenage girls selected for Ellen DeGeneres’ “GirlPower” campaign for The GAP. Her images have been exhibited in London’s Natural History Museum, the Smithsonian National Museum of Natural History in Washington, D.C. and in other top galleries and museums in more than 70 countries. Ashleigh is on the advisory council for Wyoming Untrapped and is an active contributing writer, photographer and youth workshop co-leader for The Canid Project.
