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Q&A with GWC Ambassadors (Part 1)

Back in November 2020, we launched the Girls Who Click Ambassador Program! Our 2021 inaugural year collaboration features 24 talented young photographers/filmmakers from a variety of backgrounds, and from all around the world, with professional women who have been successful in these creative fields. It’s been incredibly inspiring to get to know some of these young women and to see them grow in these past couple months.

We wanted to share this inspiration with you, so we’re sitting down with all of our Ambassadors to learn about their story and the amazing things they’ve been doing. This is part 1 of the series, and we’ll be featuring more throughout the year. Enjoy!

Featured in this blog:
Angelica Mills (mentor: Mary Ann McDonald)
Aishwarya Sridhar (mentor: Jennifer Leigh Warner)
Kate Vylet (mentor: Michele Westmorland)
Alice Sun (mentor: Mary Ann McDonald)

Angelica Mills

I am happiest while working with my passion project – children in the wilderness, being out in the African bush, surrounded by gentle giants and teaching rural children the importance of conservation and relevance it has in their lives. I believe that environmental education is the future of conservation and protecting our wilderness areas for future generations to come. 

The image was taken at our last camps hosted by Mashatu Game Reserve in Botswana, in December 2019. 
  1. Can you tell us a little bit about yourself?

I was born and raised in South Africa, with nature all around me. My real passion as a kid has always been conservation. But when I was younger, I thought conservation was a really difficult degree, so I went the opposite way of going into tourism. I studied for a tourism degree in 2015, which landed me a job as a travel consultant for a photographic tourism company.

While working for this company, I got exposed to a program called Children in the Wilderness, and that just sparked everything for me. I call it my passion project. The program promotes sustainable conservation through leadership. They teach the rural kids living in or bordering game reserves about things like why it’s so important to conserve wildlife and exposing them to tourism related jobs. I’ve been volunteering for them since 2017. It’s absolutely incredible working with the kids and realizing the difference you make. That made me want to get back into conservation.

As you can tell, I’ve got an intense passion for Africa, the communities, and wildlife photography has become like a big part of my life. That has all inspired me to make a career out of it.

2.     Why did you apply to the Ambassador Program? What are you hoping to achieve?

So interestingly enough, I actually met Suzi just before I started volunteering for Children in the Wilderness. I was helping one my colleagues in Mashatu Game Reserve in Botswana to manage the photo concession. One morning, I had to go with Suzi into one of the photo hides. We got to talking and I learned about GWC. And last year, my colleague, who is actually one of the mentors Janet Kleyn, encouraged me to apply to the Ambassador Program.

I think what drew me into the program was the community that it offers. I wanted the right kind of guidance and support structure. I want to be a conservation storyteller, but I need guidance. I need constructive criticism. I need somebody who’s going to help push me and connect me with like-minded individuals. 

I also feel like this program will help me make a difference in other people’s lives. Right now, I’m taking all these photos, but I’m not doing anything with it. And I actually want to do something with it. I want to make a difference in programs like Children in the Wilderness. I hope that through this program, I’ll be able to achieve my long-term goal of being an accomplished wildlife photographer, and start making a real difference through my photography and projects that I’m passionate about.

3.     How has the program helped you?

Mary Ann McDonald, my mentor, is incredible. She gives me constructive criticism on my photographs and then she tells me what I need to improve on them. She helps me to focus on technical things like my composition, things that I’m lacking because I’m pretty much a self-taught photographer. It’s invaluable, the information I’m getting from her. And she’s already mentioned these people that she would like to reach out to and connect me with.

4.     What are you up to now? Anything you’re really excited about?

I’m currently busy with my nature guiding qualification! I really want to live and work in the Bush, and I think lockdown kind of forced me now to look within and actually do something about it. 

I’ve been doing classes since the 13th of January. I’m currently doing the theory component, which are online classes that give me a broader understanding of wildlife and the natural environment. I’ve got my exam in March, and if I pass that, then I can go do my practical and then I’ll be a qualified nature guide.

See Angelica’s work here.

Aishwarya Sridhar

I think this picture best defines my bond with nature and wildlife…The blue bull is the largest Asian antelope and I had somehow struck a friendship with this male. When he finally trusted me enough to come close and allowed me to nuzzle him, I realized that wild animals are also capable of understanding friendship. I have always been someone who enjoys the outdoors and every waking moment that I spend with these wild animals, is one that I cherish for a lifetime.
  1. Can you tell us a little bit about yourself?

I am a wildlife filmmaker and photographer from India. My love for photography started when I saw my first wild tiger when I was 10 years old. My dad is a member of Bombay Natural History Society (BNHS), and he used to take me for wildlife trips. I really wanted to do something that would preserve the memories of those trips, and photography seemed the best option. My dad gifted me a camera for my 11th birthday. And after that, it became my favorite toy. I used to carry it to all my adventures. 

After my 10th standard board exams, I felt that I would not be suitable for a desk job and have a routine kind of life. The media and watching National Geographic documentaries was something which I really enjoyed, so I had this dream that one day I wanted my films or my photos to also be on National Geographic. I decided to work towards that more seriously after graduation, and that’s how I got into photography and filmmaking full-time.

2.     Why did you apply to the Ambassador Program? What are you hoping to achieve?

One of my friends, a senior in the industry in India in wildlife photography, sent me the application for the Ambassador Program. I checked out the rules, and I found it extremely interesting. It was something where I could get to connect with fellow wildlife photographers from around the globe, as well as have a dedicated, personal mentor who I could turn to whenever I needed any help. 

I’m someone who’s learned photography from the internet, so I’ve had no formal training in this whole world of photography and filmmaking. I felt that the program would definitely help in my career’s progress. If I have a person mentoring me who could help me achieve this dream of working with National Geographic, and I could get to connect and network with a lot of senior professionals in this industry, it would be a great opportunity.

3.     How has the program helped you so far?

My mentor, Jennifer Leigh Warner, she’s also a wildlife photographer. She’s based in the US and she’s very sweet. In fact, we’ve had four meetings up to now and she’s extremely helpful. I can put any queries anytime that I have to her either on WhatsApp or email. We also have this little community on her website, where she has a chat room for both of us. She posts stuff that I need to look at there. She’s given me some assignments as well, and she’s helping me build my portfolio and teaching me how to put together a conservation story.

4.     What are you up to now? Anything you’re really excited about?

My film is releasing! It’s called “Tiger Queen of Taru”, and it’s coming on Nat Geo Wild (not in North America unfortunately). So that’s something I’m really excited about.

See more of Aishwarya’s work here.

Kate Vylet

This is a yellowfin fringehead I took during a photo contest a few years back. They’re one of my favorite little fish – they’re very small and sneaky, hiding in crevices with only their heads peeking out to spy for passing food. When you spend some time watching them, you see how different their individual personalities are – some are shy while others are bold, some will emerge and investigate while others will hunker back and hide. I guess I can relate to their cryptic yet curious nature, which I think this shot depicts. And I mean look at that fabulous hairdo, some subconscious hair envy must be going on as well, ha.
  1. Can you tell us a little bit about yourself?

I’m an underwater photographer and videographer based in Monterey Bay, California. I’ve been into photography for a very long time, and have had a love for photographing birds and bugs since when I was a little kid that just kept developing as I grew up. 

I discovered scuba diving in college, and it was just game over after that. It was just underwater photography and nothing else. I love underwater photography because it’s just this world that no one sees, and so being able to photograph that and bring that to the surface for people to experience is pretty cool.

So I’ve just been shooting like that for the past decade now. Mostly focusing on the kelp forest that we’re lucky to have right here in our backyard.

2.     Why did you apply to the Ambassador Program? What are you hoping to achieve?

I met Suzi a while back before Girls Who Click started. We had the same professor at UC Santa Cruz and he introduced us. She was really nice and she invited me to her home to talk about photography. That moment still means a lot to me.

After that, I watched Girls Who Click develop and I was like “Oh, I wish I was young enough to do that. I’m a bit too old now.” And then the Ambassador Program came along, it was just like a no-brainer to get involved in that.

I’ve been doing photography for a long time, but I’ve been kind of lost, I guess, in how to enter it professionally. I know it’s possible. We all see like these professional photographers, but there isn’t a clear entryway into that. So when I saw the program, it just seemed perfect as an opportunity to learn how to get into professional photography.

3.     How has the program helped you?

My mentor is Michele Westmorland, who’s a very talented underwater photographer. She’s been awesome. She has a lot of experience in underwater photography and travel, where she has a big project about Papua New Guinea. She’s been kind of guiding me with starting a story that’s based in the kelp forests of Monterey Bay, which is what I’m working on now.

4.     What are you up to now? Anything you’re really excited about?

I’ve never done a full photo story, so I’m pretty excited to be working on that. I have a few side things too, which are kind of on the back burner right now. But I think just getting in the water to get those pictures, and putting a real complete photo story together for the first time, is what I’m excited about right now.

See more of Kate’s work here.

Alice Sun

I took this image as a part of a photojournalism project on bird window collisions, as it shows a recently deceased white-throated sparrow with a volunteer from a local conservation group. I think it defines me because this represents the work I want to continue to tell in the future: stories that combine science, conservation, and powerful imagery.
  1. Can you tell us a little bit about yourself?

I’m a visual storyteller based on the west coast of Canada. I started photography when I was 11 years old, where I found immense joy in photographing and learning about birds. I photographed all throughout high school and I got accepted into the NANPA High School Scholarship Program. It changed my life, because I never thought nature photography and visual storytelling could be an actual career. 

I then went on to study wildlife biology in university, hoping to first make a path in science. But during that, I realized the gap between science and the rest of the world. So I went back into school to pursue visual storytelling as a career, for real this time, first by studying in the Environmental Visual Communications program in Ontario, and now as a science communicator.

2.     Why did you apply to GWC? What are you hoping to achieve?

I started out as a blog writer at GWC at the beginning of 2020 (yes I am the one writing this blog. Hello dear reader!). That’s when I got connected with Suzi, who recommended that I apply to the Ambassador Program.

I’ve only started taking visual storytelling more seriously as a career in the past year, so I’m hoping that this program will help guide me on how to take my hobby to a career. Mostly, I hope to, one day, pitch and publish my own conservation story, and break into the photojournalism world.

3.     How has the program helped you?

My mentor Mary Ann McDonald has been a great help to me. She pushes me to go after my goals and keeps me accountable (especially important when you’re self-employed). I’m also someone who has a lot of interests, so having someone in the industry that you can talk to about your choices and plans, and get validation, is incredibly empowering.

4.     What are you up to now? Anything you’re really excited about?

Photography has been tough with things on lockdown, so at the moment, I’ve been focusing on building my writing and design skills. Writing this blog post, working with Impact Media Lab as a designer, along with some other exciting future posts/side projects, has been one of the ways I’ve been doing that.

See more of Alice’s work here.


Thanks for reading!

Responses have been edited for length and clarity

Written by Alice Sun 

Growing up, Alice’s dream was to become a National Geographic photographer. This passion led her to spend much of her high school years photographing and sharing stories of wildlife in her own backyard, which earned her a spot in the 2016 NANPA High School Scholarship Program. She then went on to pursue a degree in environmental biology and a graduate certificate in environmental visual communication, sharpening her skills and building a foundation for a career in visual storytelling. Today, she is a freelance science communicator and conservation storyteller based in Vancouver, Canada. Inspiring young people to pursue the same dream she had is something that Alice is passionate about, and why she’s extremely be on the Girls Who Click team! Visit Alice’s website (alicesun.ca) to see the stories she has told over the years. 

Free online photography workshop with Rathika Ramasamy

April 17, 2021 @ 6:00 pm

Join the AMAZING Rathika Ramasamy for a Girls Who Click photography workshop on Saturday, April 17 at 6pm IST (12:30pm GMT).

THIS WORKSHOP IS FULL.

This workshop is for girls and female-identified youth 13-18, but we will make age exceptions for motivated participants.

Rathika will cover the following topics:

-Introduction to wildlife Photography
-Rathika’s work and journey
-Indian fauna and flora
-Subject knowledge required
-Basic Equipment and technical knowledge
-Importance of wildlife conservation
-How one could contribute in an individual capacity
-Carrier opportunities in the field
-Safety about national parks and women traveling.

Please remember to have a parent/guardian to fill out the online waiver

This workshop is full. Please email us at info@girlswhoclick.org with questions.

Free Online Videography Workshop with Gunjan Menon

March 6, 2021 @ 9:00 am

Join Conservation Filmmaker Gunjan Menon in a fun workshop to learn how to write and shoot impactful wildlife stories that have the power to make a difference.

This workshop is for girls and female-identified youth ages 13-18. This workshop is free. We do make occasional age exceptions for motivated students.

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GWC featured on Cal Academy of Sciences’ Breakfast Club Show

Don’t Miss this Bold Conversation about Women in Conservation Photography!

GWC Founder & Executive Director Suzi Eszterhas, GWC Board Vice President Susan McElhinney, and GWC partner photographers Jaymi Heimbuch and Morgan Heim sat down with Cal Academy’s Breakfast Club for an honest conversation about women in wildlife photography.

Watch Cal Academy’s conversation with Suzi, Susan, Morgan, and Jaymi!

In this courageous discussion, Suzi, Susan, Morgan, and Jaymi shared the personal challenges they have faced in the field as a female photographer. 

The conversation drove to the heart of discrimination in the industry, and included important and controversial topics:

  • Gendered language in photography articles
  • Photography gear advertisements and sizing
  • Types of imagery receiving preference in photography contests
  • Harassment and violence in the field
  • Pay inequality
  • Lack of transparency in hiring and pay scales in the industry
  • Advantages of being a woman in the field
  • Exponential importance of finding your own voice as a woman

The conversation was brutally honest and at times painful as the talk turned in particular towards sexual harassment and incidents of physical violence while in the field. But there is hope for future generations thanks to the work of women like Suzi, Suan, Morgan, and Jaymi, as well as organizations like Cal Academy that put the spotlight on these issues. 

One of the most important steps in getting more women into the professional industry is removing obstacles to getting them hired. Morgan and Jaymi are founders of Her Wild Vision Initiative. Through an online, international directory, the project makes it easier for notoriously busy photo editors to find female and female-identified conservation photographers and videographers. As the project boldly states: “No more excuses for not being able to find us.”

Next up – stay tuned for a future Breakfast Club show about the lack of diversity in nature photography. 

Thank you all for supporting female and female-identified professionals!

Free online photography workshop with Brenda Tharp

April 10, 2021 @ 11:00 am 12:30 pm PT

Join GWC partner photographer Brenda Tharp for her online workshop on “Everything Wild – Tips for Making Great Nature Photographs.” This workshop will take place online on April 10, at 11am PT / 2pm ET.

This will be a general class on tips for landscape, macro, birds and wildlife in action, including controlling your depth of field, looking for and capturing gesture, paying attention to light, and equipment for getting in close.

This workshop is for female-identified youth ages 13-18, though we do make occasional exceptions for age. This workshop is free.

Free Online Photography Workshop with Karine Aigner

February 6, 2021 @ 11:00 am 12:30 pm UTC-8

Herping for Her: Photographing and understanding the world of reptiles and amphibians.

Join Karine Aigner and renowned herpetologists to learn all about photographing reptiles and amphibians! This is our first workshop focusing on herping. Herping the is the act of searching for amphibians or reptiles. As a wildlife photographer, you have to be able to find your subject. If you are an expert herper, you will be able to find some amazing and surprising subjects to photograph. Karine will teach you about the secret world of these amazing creates to help you get the best photos possible.

Meet Our Ambassadors!

We are thrilled to introduce you to the 2021 Girls Who Click Ambassadors. Selected from over 150 applicants, these 24 talented female-identified nature photographers and videographers have skill and grit that humbled our selection committee. They range from age 16-30, come from diverse cultural and socio-economic backgrounds and they hail from all over the globe. These Ambassadors are motivated to break into the professional industry while advocating for conservation efforts worldwide. We cannot wait to see what they accomplish during their year as Ambassadors!

Click here to learn more about each Ambassador!

2021 Girls Who Click Ambassadors

Cherrisse Adlawan, PHL
Emma Balunek, USA
Tamara Blazquez Haik , MEX
Celina Chien, CAN/NDL
Jo Davenport, GBR
Alena Ebeling-Schuld, CAN
Stephanie Foote, GBR
Elie Gordon, GBR
Sadie Hine, USA
Beth Hotchkiss, USA
Chelsea Mayer, USA
Irene Mendez Cruz, FRA/VEN/GBR
Lea Milde, DEU
Angelica Mills, ZAF
Lianna Nixon, USA
Daphne P, USA
Alejandra Potter, ESP/USA
Evelyn Smalley, GBR
Aishwarya Sridhar, IND
Samantha Stephens, CAN
Alice Sun, CAN
Alex Traugot, USA
Kate Vylet, USA
Katie Waddington, FRA/GBR

We cannot wait to see what these talented young photographers accomplish in their year as Ambassadors!

Each Ambassador has been paired with an established professional photographer who will help her take the next step in her career. These exceptional Girls Who Click partner photographers are the backbone of the Ambassador Program and we salute them for their dedication and service to the next generation of female-identified photographers. 

GWC partner photographer Katie Schuler and her mentee, Ambassador Stephanie Foote, have already gotten started!

2021 Ambassador Mentors

Karine Aigner
Diana Caballero Alvarado
Inka Cresswell
Suzi Eszterhas
Melissa Farlow
Cathy Hart
Morgan Heim
Jaymi Heimbuch
Esther Horvath
Karen Kasmauski
Janet Kleyn
Jennifer Leigh Warner
Stephanie Manuel
Amy Marquis
Mary Ann McDonald
Susan McElhinney
Joanna Pinneo
Erin Ranney
Lynda Richardson
Katie Schuler
Brenda Tharp
Ami Vitale
Michele Westmorland

Thank you for being a member of the Girls Who Click community. If you love what we do, please consider donating!

Bird is the word: why the perfect time to start bird photography is right now

It seems like everyone has been getting into bird-watching and bird photography lately.

“Wow! I recently decided to become a bird nerd, and I am so happy I did!” says a comment on an Audubon article. 

“I think I’ve caught the birding bug?” says a Facebook post with a slew with bird photos. 

So what’s the deal with birds? Why do humans find so much joy in watching and photographing these little dinosaurs? To find the answer, we have to travel back to the beginning.

How did it all begin?

Back in the Victorian era, birding used to be about hunting and obtaining skins, feathers, and eggs, identifying and photographing the bird after it’s been shot. It was mostly a hobby reserved for wealthy collectors, a way for them to gather and document as many species as possible and understand more about taxonomy and natural history. 

But things started changing in the late 19th century to early 20th century.

First, the advancement of optics and field guides made watching live birds more popular and accessible. The earliest field guide in the US was “Birds through an Opera Glass”, published in 1889 by Florence Bailey. But the boom in birding was largely credited to the development of binoculars in World War II, as well as Roger Tory Peterson’s field guide in 1934, which used colored plates and grouped similar species together.

Second, faster photography emulsions and quicker shutters developed in the late 1800s, allowing bird photographers to work in the field. In fact, bird photography was the first form of wildlife photography, where the oldest surviving photograph of a wild animal is of a white stork on its nest in Strasbourg in 1870, photographed by Charles A Hewins.

Birding in the early 1800’s was mostly about collecting and cataloguing as many skins, feathers, and eggs of exotic birds as possible. Illustration by Henry Seebohm Illustration from Eggs of British Birds 1896

Third, organizations like Audubon (US) and Royal Society for the Protection of Birds (UK) started rallying for the protection of birds in the late 19th century, pushing people to observe and photograph live birds. This was a big turning point for ornithologists and bird enthusiasts, as it introduced the element of science-based conservation

As a result of these three changes, birding was no longer just a numbers game, no longer an elite group of wealthy people comparing how many birds they have in their collection. It now included millions of people who are passionate about natural history, photography, and conservation, united into a national network.

And the birding community keeps growing and diversifying, even to today. The development of superzoom cameras and smaller binoculars resulted in the rise of the casual backyard birder and the bird-loving family. The birth of platforms like eBird and iNaturalist created the passionate citizen scientist. The proliferation of social media has generated a hub for young teenage birders. Even more recently, black birders have been rising up, leading initiatives like #BlackBirdersWeek in response to recent events with Christian Cooper in Central Park and the #BlackLivesMatter movement (although there are still many barriers that minorities face in birding and photography, but that’s another blog).

American Oystercatcher and chick. Photo by Denise Ippolito

Present day

One reason, especially today, that resonates with a lot of people is the ever-growing conversation of birding’s mental and physical health benefits. And this has led to the most recent explosion of new birders and photographers during this pandemic.

For example, there’s a concept in the birding world called a “bird sit”, which is like an outdoor meditation but with a focus on birds. This Audubon article details how to do a bird sit, but essentially, it requires you to sit, breath, immerse yourself into the birds you hear and see around you, and ask questions about why birds are doing what they do.

Doing something like a bird sit can help those starting out with photography. Melissa Groo, renowned wildlife photographer and contributor to Audubon Magazine, comments: “I will spend time in sit spots because, as a wildlife photographer, it’s a wonderful way to figure out whether a location is a good spot for me to return to with my camera. For instance, are there particular species of birds there that I’m interested in, that seem to be on territory? How does the light fall on the scene as the position of the sun changes? It’s fun to visit your sit spot during different seasons so you can track the changes in the habits, species composition, and appearance of the wild animals there, as well as the changes in the vegetation.”

Denise Ippolito, award-winning bird photographer and GWC partner, also speaks to the importance of understanding behaviour when photographing birds. “You don’t want to intimidate or frighten the birds. You will need to approach slowly and quietly. Every bird, animal and even human will have their own buffer zone—a space around them that is their own safe space that no other can invade.”

Snowy Egret. Photo by Melissa Groo

However, a bird sit also goes beyond that, “Spending time in a thoughtfully-chosen sit spot is a great strategy for anyone who wants to really become enmeshed in a natural scene. It’s terrific for bird lovers, wildlife watchers, photographers. And, really, for anyone seeking the serenity and purity of nature.” says Melissa.

Birding is for anyone seeking serenity and purity of nature.

That is the key message. Birds reconnect us back to nature, reconnects us to the living breathing lives that surround us, reconnects us to the world beyond our cluttered brains. That is, deep down, why birding has been such a popular and long-standing activity. And why it’s something that everyone and anyone can be a part of.

Great Horned Owl mother and chick. Photo by Melissa Groo

Want to start birding?

If you want to jump on the birding bandwagon, here are a couple ways to do so. 

First, watch and photograph birds in your backyard! Melissa Groo’s new bird photography course for beginners is a perfect place to start, as well as Denise Ippolito’s Ebook on bird photography. 

Second, practice your birding, photography, and mindfulness. Practice everyday. Get to know the birds, camera, and your surroundings.

And finally, do a bird sit. Learn about bird behaviour, and most importantly, build empathy for the subjects around you, and welcome them as friends.

So try it out! And who knows, maybe you’ll turn into a birder.

Southern Rockhopper Penguin. Photo by Denise Ippolito.

Written by Alice Sun 

Growing up, Alice’s dream was to become a National Geographic photographer. This passion led her to spend much of her high school years photographing and sharing stories of wildlife in her own backyard, which earned her a spot in the 2016 NANPA High School Scholarship Program. She then went on to pursue a degree in environmental biology and a graduate certificate in environmental visual communication, sharpening her skills and building a foundation for a career in visual storytelling. Today, she is a freelance science communicator and conservation storyteller based in Vancouver, Canada. Inspiring young people to pursue the same dream she had is something that Alice is passionate about, and why she’s extremely be on the Girls Who Click team! Visit Alice’s website (alicesun.ca) to see the stories she has told over the years. 

Taller de fotografía de naturaleza para niñas

October 24, 2020 @ 11:00 am 12:00 pm CDMX

TALLER GRATUITO PARA NIÑAS

Si te interesa la fotografía esto es para ti. En colaboración con Girls Who Click la fotografa Diana Caballero impartirá online este curso de fotografía.

Puedes participar: si tienes entre 13 y 18 años de edad, interés por la fotografía (puede ser con cámara digital, análoga o dispositivo móvil), vives dentro de alguna de las comunidades de la región purépecha.

El taller se impartirá a través de Zoom el día sábado 24 de octubre a las 11 a.m. El cupo es límitado, así que reserva tu lugar.

Los padres/ tutores han que firmar el acuerdo de renuncia y exención de responsabilidad.

Se puede firmar el ACUERDO DE RENUNCIA Y EXENCIÓN DE RESPONSABILIDAD aquí: https://girlswhoclick.org/online_waiver_spanish/

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